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ASBM

Landing rights in the US

One of the first things that must be done when you plan for a satellite launch, is to consider the countries the satellite will fly over when in orbit.

It is the satellite’s area of coverage that is important. When Space Norway decided to establish broadband mobile communication to the Arctic using two highly elliptical satellites, applications to the UN’s International Telecommunication Union (ITU) were made. The ITU is an entity for coordination seeking international coexistence, but without sanctioning powers over nations. The filing with the ITU secures, in general terms, the utilization of necessary frequencies for satellites in their specified orbits. The ITU has the complete overview over all spectrum filings, what it may be used for and what it actually is used for. Space Norway’s filings registered with the ITU is the first stop on the way to being able to use the frequencies on the satellites’ payloads.

Each country has its own national organization that coordinates the satellite operators’ filings with the ITU. In Norway, this is administered by the National Communications Authority (Nkom). The Nkom keeps track of all frequency use in Norway and has a national coordination role.

Some countries have organizations with more authority than others, for example the USA and Canada – and both countries are important for Space Norway’s Arctic broadband satellites since permission to use the systems in each country must be obtained. The telecommunications authority for the US is the Federal Communications Commission (FCC). Back in 2017, an application was submitted and later that same year, a conditional permission was granted. The condition was that an agreement be reached with all other satellite operators. This means that the real work begins with this permission. A satellite operator must make sure that their signals do not interfere with other signals and the other way around. See this article about this very demanding process. Space Norway immediately started dialogue with operators in the US (and the rest of the world) to analyze coexistence. For the US, this included for example SpaceX, with a very high number of satellites in low earth orbit, being one of the operators. Now, several years later, agreements have been made with SpaceX, One Web and Amazon, while some operators still remain. The FCC is an enforcing agency, and all operators with landing rights must pay a bond up to USD 5M. Operators that are not operational within six years after receiving permissions, risk loosing this bond. This is done to prevent spectrum harvesting, meaning that the very limited frequency resources are bound by systems not being built or put into operation. The way the US organizes this, is different from most other countries, but then nowhere else in the world is the activity level as high regarding the need for frequencies as in the US.

Landing rights are not needed in the EU, including Norway, but the need to manage frequencies is the same, and the ITU regulated coordination is done in dialogue with each country’s administration or with each operator.

As for some of the other countries in the Arctic, landing rights are needed for ASBM also in Canada, which was achieved when coordination with all relevant Canadian satellite operators were in place.

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Bringing live transmissions out of the most isolated parts of Alaska.

Live transmissions from Alaska

When BBCOB Comms and Timeline-TV approached us about getting connectivity out of some the remotest parts of Alaska for the amazing BBC programme Wild Alaska Live, the Telenor Satellite’s OU team’s motto “No Mission Impossible” kicked in.

Telenor Satellite was faced with the challenge of finding several Ku-band satellites with coverage over Alaska with connectivity to the US and UK.

Multiple paths were required out of four locations, as well as reverse vision feeds to enable the main studio to keep in touch with the remote sites. One of the locations where a small studio & uplink was located, Katmai National Park, only source of power were batteries, charged by solar panels and hydrogen fuel cells. Even with state of the art SSA’s this limited the up-link to 50W. Telenor was faced with the challenge of finding a satellite “hot” enough to get the job done. As well at satellite coverage, fibre was used to provide the transatlantic connectivity to and from the US.

Live broadcasting from Alaska
Our OU team relished the challenge of being involved in something so exciting and unique.

“Telenor definitely had the easier job, coordinating the coverage from the office, compared to the operational team working in challenging conditions in Alaska”, commented Zara Evans, Bookings Manager at Telenor Satellite. Over the two weeks testing and filming, Telenor booked over 140 feeds, all without a single glitch.

Coverage took place in various venues across Alaska, from the world’s largest temperate rainforest, Tongass National Forest, to the Katmai National Park.

“The Alaska project was very complex with three uplinks in Alaska for sending content into the hub and for two live broadcasts each day for UK & US viewers.  We depended on Telenor to find the right satellite capacity to make it all work. The booking team at Telenor Satellite are so efficient and coped really well with loads of changes, three time zones and varying channel bandwidths. There were a lot of things to worry about on Wild Alaska Live but thanks to Telenor, sat space was not one of them” commented Nick Buckley, Head of Operations at Timeline Television.

“At the Main Site we had connectivity requirements far in excess of just pictures and sound! With a live show centred on animals appearing for us, “on cue”, nothing stayed the same for long! We felt totally supported by Telenor Satellite with the many daily changes we requested to them. They also helped the project by installing an interest in our programme with the Satellite owners who then found it easier to accept some of our non-standard workings!” commented Chris Cobb, Vice Chairman of BBC OB-Comms Ltd.

Telenor Satellite's Occasional Use team provided services to BBC and PBS production of “Wild Alaska Live” – three-part series in 2017.
Working in Alaska brings unique challenges to the operational team; with three uplinks and two live broadcasts each day, it was a very complex project which involved more than 140 feeds over the two weeks of testing and filming – and all without a single glitch! Photo: BBC.

Wild Alaska Live was a major three-part series event for BBC One, produced by BBC Studios’ Natural History Unit and co-produced by PBS.